Unearthing Wu Daozi (c. 686 to c. 760): The Concept of Authorship in Tang Painting
Wu Hung

Fra Angelico’s The Miracle of the Black Leg: Skin Colour and the Perception of Ethiopians in Florence before 1450
Scott Nethersole

‘Kind of Goya-esque or Something’: Charles Ray’s Early Works
Dominic Johnson

Crossing the Line: Cristóbal de Villalpando and the Surplus of Script
Aaron M. Hyman

How to Teach Manet’s Olympia after Transgender Studies
David J. Getsy

George Gabb and ‘Le Cabinet de M. Le Clerc’: Art, Science, and the Visual Production of Knowledge
Katy Barrett

Reviews
‘She engages us with a steady, cool look’: Creating the Field of Southeast Asian Art Ashley Thompson
Chalk and Cheese Margit Thøfner
A Timeless, Eternal World Realised in Humble Materials Colin Rhodes
Modernism, Non-Central Andrew McNamara
On the Home Front: Italian Art, 1944-1973, and the Hidden Abode of Cultural Reproduction Jaleh Mansoor
The Conditions and Limits of ‘Chineseness’ in Contemporary Performance and Video Art Franziska Koch
All that Glitters Is Not Gold Helen Hills
Turning Inwards and Outwards in the Global Eighteenth Century Josefine Baark